If they don’t call you back in a week, they won’t. — Norman Brenner, Fleetwood, New York
12/8/16
Books That Belong On Paper first appeared on the web as Wink Books and was edited by Carla Sinclair. Sign up here to get the issues a week early in your inbox.
Hole in the Heart: Bringing Up Beth
by Octavia E. Butler (Author), Damian Duffy (Adapter), John Jennings (Illustrator)
Penn State University Press
2016, 288 pages, 6.8 x 0.8 x 9.5 inches, Paperback
This isn’t an easy read, but it’s an important and memorable one. Hole in the Heart, a memoir about giving birth to a child with Down syndrome, expresses anger, frustration, guilt, and many other parenting emotions. The book is moving and feels searingly honest, for instance when it explores Beaumont’s ambivalence about the outcome of her daughter Beth’s heart surgery. She struggles with the thought that it might not be such a terrible thing if Beth doesn’t make it.
The colors are starkly monochromatic, but Beaumont does expressive, figurative things with them that communicate emotional depths. This includes crying fat tears that threaten to drown her, or showing differences in moods using shadows.
Parents are under such pressure to be perfect, including saying all the right things. It’s brave of Beaumont to give voice to such complicated and difficult feelings in Hole in the Heart.
– Christine Ro
Hattie & Hudson
by Chris Van Dusen
Candlewick Press
2017, 40 pages, 10.1 x 0.4 x 11.7 inches, Hardcover
Hattie & Hudson is a beautiful book in every way. When Hattie McFadden paddles out on the lake one summer morning for her daily dose of exploring, she is so happy, she begins to sing. “So come with me ‘cause there’s room for two, / We’ll be together, you and I. / Out on the lake in my little canoe, / Paddle, just a paddlin’ by.” Her calm, sweet song unexpectedly charms “a monster” at the bottom of the lake who can’t help but respond to the invitation. Though Hattie can see Hudson for who he really is, the townspeople are not so welcoming.
This story is a great in for getting kids talking about everything from persistence to profiling. Concepts of home and belonging, of loud, angry grownups acting out of fear, of power and voice all make it a book that works for many kids, on many levels.
Visually, Hattie & Hudson rivals Chris Van Dusen’s 2009 release, The Circus Ship, in its breathtakingly gorgeous Maine-inspired landscapes and achingly expressive Rockwell-meets-Pixar characters. But where The Circus Ship is silly and bouncy and quick, Hattie & Hudson uses the time (and space) needed to tell the story of a quietly righteous little girl and the power of friendship.
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