The Technium

Fate of the Book


Attention Conservation Notice: This is a long stream in an unordered distributed debate. It may not make much sense unless you’ve read the discussion that is taking place on various websites indicated in the following paragraphs. There are many strands in the conversation. The one I am following here is about whether books will be dethroned from their centrality in culture.

Festival Of Books

Nick Carr is the current smart critic of the new. He is articulate and informed, which is why his worry about the decline of book-thinking gets a hearing. But a decade and a half ago there was another articulate critic of the rising internet who similarly yearned to protect the superior, but endangered book. That critic was Sven Birkerts. He even wrote a book about the waning of the book called “The Gutenberg Elegies: The Fate of Reading in an Electronic Age”.

Fast-forward to 2008. Carr’s provocative Atlantic article “Is Google Making Us Stupid?” generated a lot of responses, including a previous post by me. Danny Hillis weighed in with some incredibly cogent insights focused on why we need so much info, which brought more responses on John Brockman’s Edge. Here George Dyson noted that maybe the elevated stature of books was over. Carr favors the bookish Encyclopedia Britannica (EB) over the webby Wikipedia, and since he advises the EB leadership, another round of discussion about his article was jump started on the EB forum. Among those summoned by this lively discussion was Clay Shirky and Sven Birkerts, who addressed the fate of books. The collective discussion of books vs. web reminded me of a face to face conversation between myself and Sven Birkerts, John Barlow, and Mark Slouka on this very topic thirteen years ago. The sides were Barlow and Kelly for embracing net versus Birkerts and Slouka for refusing it. The conversation was edited and published as “What are we doing on-line?” in Harper’s Magazine, August 1995. Because today’s debate is an echo of so many points raised then, and because Birkerts might have said the same points better, I think this excerpt is worth resurrecting.

A note on context. The original discussion included four speakers covering much ground over an afternoon. Harpers’ editor Paul Tough’s reduction of that discussion to ten pages omitted appropriate responses to questions raised, skipped over important qualifications, and slipped things out of context – as it rightly had to in order to squeeze it into a magazine. I have further severed some the remaining context by abbreviating the text to these excerpts. I indicate intra-speaker snips with ellipses. You can buy an official PDF of the full forum here. Or you can see a crummy free version missing the last three pages here.

And then there is the unrecoverable context of the times in mid 1990s. This forum took place at a point when the web had just been born. The internet referred to here is text-based – no images, no sound, all ascii characters. Users watched as light text on dark screen scrolled up. Email accounts were uncommon. Very few computers were connected. They stood alone. No handhelds, virtually no cell phones. To get on the internet was a chore, and it was a very small place.

BIRKERTS: The last two words in my book are “Refuse it.” I don’t mean that this is necessarily a realistic mass proposal. I mean that speaking subjectively, for myself, this is what my heart tells me to do…In living my own life, what seems most important to me is focus, a lack of distraction — an environment that engenders a sustained and growing awareness of place, and face-to-face interaction with other people. I’ve deemed these to be the primary integers of building and sustaining this self. I see this whole breaking wave, this incursion of technologies, as being in so many ways designed to pull me from that center of focus. To give you a simple example: I am sitting in the living room playing with my son. There is an envelope of silence. I am focused. The phone rings. I am brought out. When I sit down again, the envelope has been broken. I am distracted. I am no longer in that moment. I have very nineteenth-century, romantic views of the self and what it can accomplish and be. I don’t have a computer. I work on a typewriter. I don’t do e-mail. It’s enough for me to deal with mail. Mail itself almost feels like too much. I wish there were less of it and I could go about the business of living as an entity in my narrowed environment…But what I see happening instead is our wholesale wiring. And what the wires carry is not the stuff of the soul. I might feel differently if that was what they were transmitting. But it’s not. It is data. The supreme capability that this particular chip-driven silicon technology has is to transfer binary units of information. And therefore, as it takes over the world, it privileges those units of information. When everyone is wired and humming, most of what will be going through those wires is that sort of information. If it were soul-data, that might be a different thing, but soul-data doesn’t travel through the wires.

KELLY: I have experienced soul-data through silicon. You might be surprised at the amount of soul-data that we’ll have in this new space. That’s why what is going on now is more exciting than what was going on ten years ago. Look, computers are over. All the effects that we can imagine coming from standalone computers have already happened. What we’re talking about now is not a computer revolution, it’s a communications revolution. And communication is, of course, the basis of culture itself. The idea that this world we are building is somehow diminishing communication is all wrong. In fact, it’s enhancing communication. It is allowing all kinds of new language. Sven, there’s this idea in your book that reading is the highest way in which the soul can discover and deepen its own nature. But there is nothing I’ve seen in online experience that excludes that. In fact, when I was reading your book I had a very interesting epiphany. At one point, in an essay on the experience of reading, you ask the question, “Where am I when I am involved in a book?” Well, here’s the real answer: you’re in cyberspace. That’s exactly where you are. You’re in the same place you are when you’re in a movie theater, you’re in the same place you are when you’re on the phone, you’re in the same place you are when you’re on-line.

BIRKERTS: It’s not the same at all…When you write the word across a football stadium in skywriting, you’re not just writing the word, you’re writing the perception of the word through the air. When you’re incising a word on a tombstone, you’re not merely writing the word, you’re writing a word as incised on a tombstone. Same for the book, and same for the screen. The medium matters because it defines the arena of sentience. The screen not only carries the words, it also says that communication is nothing more than the transfer of evanescent bits across a glowing panel.

SLOUKA: But it seems to me that the kind of writing that’s done in the electronic media has a sort of evanescence to it. There’s an impermanence to it. A book, though, is something you can hold on to. It is a permanent thing. There is something else going on here, too. And that is what happens in the process of reading. When you read a book, there’s a kind of a silence. And in that silence, in the interstices between the words themselves, your imagination has room to move, to create. On-line communication is filling those spaces. We are substituting a transitional, impermanent, ephemeral communication for a more permanent one.

BARLOW: …I think that the book is pretty damn ephemeral, too. The point is not the permanence or impermanence of the created thing so much as the relationship between the creative act and the audience. The big difference between experience and information is that with an experience, you can ask questions interactively, in real time. Sven, because you’re sitting here, I can ask you questions about your book. As a reader I can’t.

BIRKERTS: But as a writer I didn’t want you to.

BARLOW: Well, you may or may not. But in order to feel the greatest sense of communication, to realize the most experience, as opposed to information, I want to be able to completely interact with the consciousness that’s trying to communicate with mine. Rapidly. And in the sense that we are now creating a space in which the people of the planet can have that kind of communication relationship, I think we’re moving away from information–through information, actually–and back toward experience.

BIRKERTS: But that wasn’t what I wanted in writing the book. The preferred medium for me is the word on the page, alone, with an implicit recognition that I’m not going to be there to gloss and elucidate and expand on it. It is what drives me, as a writer, to find the style that will best express my ideas. I would write very differently if I were typing on a terminal and my readers were out there already asking me questions. Writing a book is an act of self-limitation and, in a way, self-sublimation into language and expression and style. Style is very much a product of the print medium. …Language is our evolutionary wonder. It is our marvel. If we’re going to engage the universe, comprehend it and penetrate it, it will be through ever more refined language. The screen is a linguistic leveling device. We may be evolving on all fronts, but we only comprehend ourselves by way of language. And I think that the deep tendency of the circuited medium is to flatten language.

KELLY: Here you are wrong. If you hung out online, you’d find out that the language is not, in fact, flattening; it’s flourishing. At this point in history, most of the evolution of language, most of the richness in language, is happening in this space that we are creating. It’s not happening in novels.

BIRKERTS: I wish some of this marvelous prose could be downloaded and shown to me.

KELLY: You can’t download it. That’s the whole point. You want to download it so that you can read it like a book. But that’s precisely what it can’t be. You want it to be data, but it’s experience. And it’s an experience that you have to have there. When you go on-line, you’re not going to have a book experience.

BIRKERTS: Well, I want a book experience.

KELLY: You think that somehow a book is the height of human achievement. It is not.

SLOUKA: But there is a real decline in the kind of discourse taking place. I go back to what John said in an interview that I read not too long ago. He said that the Internet is “CB radio, only typing.” That really stuck in my mind, because there’s an incredible shallowness to most on-line communication. I realize that there are good things being said on the net, but by and large the medium seems to encourage quickness over depth, and rapid response over reflection.

KELLY: My advice would be to open your mind to the possibility that in creating cyberspace we’ve made a new space for literature and art, that we have artists working there who are as great as artists in the past. They’re working in a medium that you might dismiss right now as inconsequential, just as the theater, in Shakespeare’s day, was dismissed as outrageous and low-class and not very deep.

SLOUKA: At some point do you think the virtual world is basically going to replace the world we live in? Is it going to be an alternate space?

KELLY: No, it’s going to be an auxiliary space. There will be lots of things that will be similar to the physical world, and there will be lots of things that will be different. But it’s going to be a space that’s going to have a lot of the attributes that we like in reality–a richness, a sense of place, a place to be silent, a place to go deep.

BIRKERTS: … If we’re merely talking about this phenomenon as an interesting, valuable supplement for those who seek it, I have no problem with it. What I’m concerned by is this becoming a potentially all-transforming event that’s going to change not only how I live but how my children live. I don’t believe it’s merely going to be auxiliary. I think it’s going to be absolutely central….But even if I’ve pledged myself personally, as part of my “refuse it” package, to the old here and now, it still impinges on me, because it means I live in a world that I find to be increasingly attenuated, distracted, fanned-out, disembodied. Growing up in the Fifties, I felt I was living in a very real place. The terms of human interchange were ones I could navigate. I could get an aura buzz from living. I can still get it, but it’s harder to find. More and more of the interchanges that are being forced on me as a member of contemporary society involve me having to deal with other people through various layers of scrim, which leaves me feeling disembodied. What I’m really trying to address is a phenomenon that you don’t become aware of instantly. It encroaches on you…Maybe it’s because I’m not on-line, but it seems to me, as an adult human being living in 1995, that the signal is getting weaker. I find that more and more I navigate my days within this kind of strange landscape. People have drawn into their houses, and the shades are down. You go into a store and the clerk isn’t looking at you, he’s busy running bar codes. And you multiply that a thousandfold: mediation, mediation, mediation. I want an end to mediation. And I don’t think I can break the membrane by going on-line.

KELLY: Sven, I think part of what you’re saying is true. You’re ignoring the center of the culture, and therefore you feel sort of cut off. The culture has shifted to a new medium. But it’s not going to be the only medium there is. The introduction of fire produced great changes in our society. That doesn’t mean that everything is on fire. Digital technologies and the net can have a great effect without meaning that everything has to be the net. I listen to books on tape. I have for many years. I couldn’t live without them. I listen to the radio. I read books. I read magazines. I write letters. All of these things are not going to go away when the net comes.

BIRKERTS: But don’t you think it’s a push-pull model? If you send out a net that allows you to be in touch with all parts of the globe, you may well get a big bang out of doing that, but you can’t do that and then turn around and look at your wife in the same way. The psyche is a closed system. If you spread yourself laterally, you sacrifice depth.

KELLY: I question that trade-off. That’s my whole point about this kind of environment. It’s not that we’re going to deduct the book, though the book will certainly lose its preeminence. The flourishing of digital communication will enable more options, more possibilities, more diversity, more room, more frontiers. Yes, that will close off things from the past, but that is a choice I will accept.

SLOUKA: See, the confusion is understandable because so much of the hype surrounding the digital revolution revolves around this issue of inevitability.

KELLY: But it is inevitable.

SLOUKA: Well, which is it? Is it inevitable or isn’t it?

KELLY: It’s inevitable that the net will continue to grow, to get bigger, to get more complex, to become the dominant force in the culture. That is inevitable. What’s not inevitable is what you choose to do about it.

SLOUKA: So I have the option of being marginalized?

KELLY: That’s right. You can be like the Amish. Noble, but marginal.

BIRKERTS: …We are being forced to adapt by a pressing social consensus that seems to say that if you don’t have “x” you’re out of the loop. You’re going to be marginalized in your workplace. If I don’t have a disk to send my articles in to a journal, I feel like there’s a problem. If I don’t have a fax machine, I’m losing business. If I don’t have a phone-answering machine, God knows what might happen. The attitude is, “If you’re not on the bus then forget it, man. You’re just rooting around for potatoes.” I don’t want to be forced into that either/or. I want to be able to say, “Let me think about it.” Maybe in ten years I’ll get a fax machine. I don’t want to feel that if I’m not receiving a fax every second I am no longer existing in the cultural community in which I want to exist.

BARLOW: …I’ve watched what has happened to my own community, where I still live, my little town in Wyoming, as a re-suit of broadcast media. I see what happened to that culture as soon as the satellite dishes bloomed in the backyards. And it has been devastating.

BIRKERTS: You don’t see cyberspace as the extension of the satellite dish?

BARLOW: Absolutely not. If you had experienced this to any large extent, if you had been around it in the way that Kevin and I have, you would see that it is absolutely antithetical to the satellite.

KELLY: I wasn’t joking when I said that when you’re reading a book, you’re in cyberspace. Being in cyberspace is much closer to reading a book than it is to watching TV. A lot of the things you seem to be looking for in the culture of the book, Sven, can actually be found in the culture of the screen.

A decade later I stand by my point that we should resist the idea that the book is the apex of human culture. It seems likely we’ll soon invent other forms of media that take what the book has done and do it better. Maybe someday books may not be central to our culture or identity. I don’t think a desirable bookless world is hard to imagine. It could be a very oral society, where the spoken word regains some the stature it lost when printing came along. At one time not too long ago some people thought that replacement media was television. That seems laughable now. So when some fans today say the web may raise to the level where books once soared, it seems just as laughable. But I think it is too early to laugh.

As books as we know them wane, there is a deep sense of loss among those who love them. Unlike Clay Shirky, I have read the unabridged “War and Peace”, and was awed by it. The book kept getting deeper and deeper as the pages piled up, and I really would not mind reading it again. It deserves the respect it gets, but it does not deserve to be shielded from change. I work on my computer in a two-story library surrounded by books. I am acutely aware of the shift our media is undergoing.

I thought that Sven Birkerts summed up our collective concern about the internet in this perfect one line of poetry from the Harper’s conversation: “If you touch all parts of the globe, you can’t do that and then turn around and look at your wife in the same way.”  However the literary tone of Birkerts’ nostalgia implies regret: that we should be unhappy to alter our perspective of our own family. Or it implies that the new perspective is, without questioning, an undesirable one. But we could just as easily imagine the experience of contacting the rest of the world as a process that enhances our view of our spouse.  ” I have touched all parts of the globe and now I see my wife differently.” But this possibility is not suggested by Birkerts’ wonderfully crafted line of poetry. Instead his koan contains an inherent conservativism in which any change is assumed to be negative.

Imagine my surprise then to see Sven Birkerts hanging out online in the EB forum. I hope he did not get a fax ten years later but they were pretty useless by then. It looks like he is using a computer and not a typewriter, posting to internet forums. Instead of refusing it, he has embraced it.

My question, then, is framed as a question for Sven, as the reprenstative of the worried: Sven, now that you have embraced the internet do you look at your wife in the same way?  This is a serious question. I have been on/in the internet so long so deep I can’t remember what it was like off it, just as I can’t remember not reading. You are deeply attuned to the hidden biases in this media, and very self-aware, and recently on (unless I am mistaken).  Has the manner in the way you view your wife been changed by embracing the web? If so, in what ways?

UPDATE: Sven Birkerts eloquent reply is posted here.




Comments
  • http://www.kentslife.blogspot.com Kent Schnake

    Kevin, you wrote “A decade later I stand by my point that we should resist the idea that the book is the apex of human culture”. Amen to that.
    I am not sure there is or will be an apex, but it most certainly is not paper with printing, bound in a stack. I am reminded of those who feel that the King James translation of the bible is the “apex of bible translations”. There are more than 6000 languages in the world. There are dozens of English translations. What could possibly make the King James the apex? It is an illusion fostered by a long run of popularity. The mainframe died as the apex of computer culture when the mini and micro computers came into being. Now the mantle may pass to “the cloud”. I would love to know what will come after the cloud, but I really haven’t a clue. That’s o.k., there is great joy to be had in watching to see “what is next”. Book,apex, hah!

  • http://www.scribd.com/people/view/147060-avi-solomon Avi Solomon

    There is a world of difference in reading a real paper book vs. reading text on a device/screen that uses ‘live’ electricity in delivering the ‘information’.
    I simply prefer ‘cold’ metanoic books that warm the soul.

  • http://www.alexawebermorales.com Alexa Weber Morales

    People like you give bloggers a good name! This type of deep discussion and reporting is the antithesis of what we lament about the poor quality, the evanescence as another commenter said, of online media. But, unless I misunderstand the purpose of this particular blog, you are writing a book, no? In other words, a dated collection of ideas organized in sentences, paragraphs and chapters. The fact that such a thing is published online or for electronic download only does not mean the book is extinct. Theses will still have to be written, mysteries and screenplays and reports and the like, and this long-form writing will follow certain conventions to confer reliability. In short, I don’t think the book, in terms of the actual organization of ideas and the general length, will disappear. And if I’d had time I would have put all that more concisely!

  • Anton

    If we consider peak oil (and likely peak everything) due to increasing (and exponential) demand and technology that cannot catch up with it, then it’s likely that we face less industrialization and more localization. This will mean less access not only to technology like computers and the Internet but also food, oil, minerals, and medicine.

    Currently, the U.S. has only around five percent of the world’s population but must consume up to 25 percent of the world’s oil in order to maintain an advanced society. Now, countries like India and China and a growing middle class worldwide require more oil, food, and minerals. Two-thirds of oil-producing countries have or had already peaked in oil production, and we are also facing increasing prices for food and minerals.

  • http://phaneron.rickmurphy.org/?p=26 Rick

    So, I’ve followed the debate and thought folks might appreciate perspectives that encompass Chris Anderson’s recent technological utopia in the End of Theory and and Carr’s distopia in Is Google Making us Stupid. Hope you enjoy my: Signs of the Singularity and Why Chris Anderson and Nicholas Carr won’t make the next cut here …

    http://phaneron.rickmurphy.org/?p=26

  • Drew

    Forgive the intrusion, but, what if electricity were to stop? Sure, fire can destroy a book or an entire library, but what happens if the availability of electricity or the knowledge and capabilities to produce, to distribute, and to use it were to be eliminated? Is there an equivalent of a seed bank for e-art, e-books, virtual data, etc.?

  • http://theconnective.org Eyal Sivan

    Great post(s) around a fascinating debate. I agree with your position that much of the resistance towards digital literacy seems to be centered around a fear of some great loss. Sven seems more honest with himself than most Carr’s other proponents.

    My full response (to the whole debate), entitled Fearing Digital Literacy, can be found here.

  • john Verdon

    Having read this post, Carr’s post and answers, Shirky’s post and re-answers, Brin, Hillis and others something has been left out of the debate. And that is that reading can be both for pleasure and for learning.

    It is learning that is the vital key for reading the book. I don’t think the book as a literary form or as a form for presenting and sharing information/knowledge will ever disappear. The Kindle points the way of the highly personalized book repository. I could imagine a leather bound personal device that is suited to me for carrying around and one for home use that would be like my mp3 player – I could carry all my books with me in a way that they would be searchable, annotatable, cut-paste-able (e.g. note taking). Further it could give me the feel of paper and with some pheromonic plug-in give me the smell of books.

    What will change is dependence on how the publisher want to package the book, how the artist(s) can explore old and new forms of expression.

    For learning, however, the debate should include the perspectives represented by two recent pieces.

    Minds on Fire: Open Education, the Long Tail, and Learning 2.0 by John Seely Brown and Richard P. Adler –
    http://connect.educause.edu/Library/EDUCAUSE+Review/MindsonFireOpenEducationt/45823

    And 2020 and Beyond: Future Scenarios for Education in the Age of new technologies. Futurelab –
    http://www.futurelab.org.uk/resources/publications_reports_articles/opening_education_reports

  • http://slowblogger.com hyokon

    Book may go, but not the deep thinking which book was a tool for. Now we need to create book2.0 or another tool to keep deep thinking alive.

    I am very interested in this and have a related project.

  • http://www.indranet.org Ivo Quartiroli

    That was really an interesting conversation around books!

  • Chris

    I expect Birkerts will not be able to remember how he ‘used to’ look at his wife ten years ago. Just like the chinging technology, the changes in marriage slip by as your own perception of the world changes. You may think you remember what it’s like to be a young man, but you’re inevitably running those thoughts in an older man’s mind…

    The problem with books that I have long been frustrated by is that they’re made of atoms, and therefore force a linearity of thought and knowledge structure: i.e. you have to read them through to get the information out (indexes permitting).

    Web media will allow Book 2.0 to emerge where the information can be far more networked and semantically layered. Wikipedia isn’t quite there yet – it’s still very linear, and only lexically linked – but proper semantic knowledge webs are already cropping up online. Not that this will replace the novel, which still should be, IMHO, read linearly. That’s one of its defining beauties.

  • http://bbewater.tumblr.com Dimitri

    Very interesting article.

    I agree with Kevin that what is happening is inevitable, and that it will continue to grow. In the end we can put a name at what’s happening and that name would be “evolution”.

    I just wonder, is evolution inherently good?

    Can evolution be a bad thing? Can we mess up instead of just walking to a straight path of perfection?

    If we can mess up, then even if what is happening is evolution then we might be on the wrong track. Time will tell..

  • Alan Booker

    Interesting to consider the thought that oral traditions might return but in my mind it’s unlikely.

    Language, as the harbinger of consciousness, derives its roots from modeled behaviors and repetitive experiences just as oral tradition springs out of a time whence the spoken word, image, movement, nature and the human being were able to coexist in a space and time uncluttered by technologies reach as we know it, but bound by family, life style, community and ritual.

    As the modern world shifts away from the natural world our ability penetrate or enliven that inner space declines.

    One example to clarify the vast chasm between earlier times and the present rush of language as it spills over the brim, abbreviated and chopped up into verbal hieroglyphs, might be the experience between early films against the majority of movies today.

    To capture the change in culture and consciousness, easier than trying to remember the way one might have viewed ones wife, view a much older classic movie and then a contemporary one back to back. The shift in our experience of time becomes evident.

    Carr and clan paint the same picture for books as one might for language. Our lack of ability to maintain the thread of a longer written text, remember and understand an epic poem such as the Kalevala, or just experience nature as Muir might have done has been offset by that self same reach of technology into our lives and culture, both for better or worse.

    In the continuum of space and time there is no reaching back by a culture although an individual might indeed do so.

    Warm regards, Alan

  • Stuart Buck

    My take: http://stuartbuck.blogspot.com/2008/07/google-makes-us-stupid.html

    Conclusion: “Unless you have lots and lots of information in your head — without depending on Google to magically serve up information whenever you might need it — you won’t know what you should be looking up on Google in the first place. And so I wonder if, as people come to depend more and more on being able to look up information at the drop of a hat rather than bothering to memorize it, people will be less able to think creatively and formulate new insights and connections.”

  • http://www.tinkerx.com Andy Havens

    I’m always a bit amazed (or amused) when people take “the book” to be some kind of discreet, naturally occurring unit of intellectual measure. In the case of a novel… yes. The “book” is the same as “the story.” Although Dickens, as we know, first published many of his works in serialized format. And authors also break up their novels very differently (I’m just now reading William Gibson’s “Spook Country,” and he has these wonderful, short chapters with great chapter titles).

    The chapters in non-fiction books are often linked together only by a theme that could really be enlarged or tightened. Having editing book-length works, I know that there is no magic to the final, published, bound work in terms of what stays in and what gets left on the floor.

    And while I know that all the entire creative, editorial decisions involved in putting together a book do certainly impact reading experiences… I think it’s a mistake to regard the unit of “book” as the only thing that can provide many of those experiences.

    I’ve had a short book of my poetry published, and have posted quite a bit of it online, too. I’d venture to say that hundreds of times more people have read my work online. Is it lessened by not being part of a particular, bound piece?

    Books can be precious, yes. But we often, I think, confuse what we get out of books with the attributes of the container.

  • http://www.ralfw.de Ralf Westphal

    “The book” is here to stay with us for good reasons. Not just because of nostalgia, but because it it´s too useful to give up. But it will need to change.

    My take:
    http://weblogs.asp.net/ralfw/archive/2008/07/25/what-180-s-in-a-book.aspx

    -Ralf

  • http://michaelnielsen.org/blog Michael Nielsen

    Thankyou for posting this. Many of the questions discussed in your conversation of 13 years ago are as or more pertinent today. Perhaps this is because culture changes more slowly than technology.