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I carry a roll of the Velcro Plant Ties (see right) in my tool bag, but also keep One-Wrap Velcro strips in the shop. While they’re much more expensive, I’ve found the larger kind to be substantially bulkier and stronger. Here in Toronto, we have alternating weekly garbage, recycling, and green waste pickup. We also have rapacious raccoons. I found if I add a simple loop of One-Wrap, screw it into the side of the green bin and loop it over the locking bail of the bin, the raccoons cannot open it. I first tried Plant Ties. They just wouldn’t hold. For my purposes, a One-Wrap is good for about a year, after which it is easily replaced. It’s available in various colors and sizes. The lower-end of the One-Wrap line is a similar size to the Plant Ties, which are 13 mm wide; however, the One-Wrap also come as large as 22mm. It has deeper loop Velcro (thicker and fuzzier), and as the width of the tape increases, the size of the loops and their grip strength increases. Plant Ties really are great for handling all kinds of tasks, but One-Wrap is strong enough to bundle thicker rope, heavier hoses, and most importantly for me, they keep raccoons out of the recycling. – David Keldsen
To me, as a commuter, one of the most impressive parts of the EZ Pass toll-paying system is the hardcore industrial “velcro” tape they give you to attach your transponder to your windshield. It’s not really velcro, though – instead of hooks and loops, both surfaces have these tiny hard plastic mushroom-shaped things that grab each other by the hundreds and don’t let go. Both sides are the same, so there is only one tape (called selfmating). And unlike the loosy-fabricky velcro connection, the Dual Lock surfaces don’t join until you’ve positioned them exactly, and then pressed them together with a satisfying “chunk.” They’re primarily used in industrial applications as a replacement for mechanical fasteners, but I use mine to attach my iPod to my dashboard, and tools to the wall in my workshop. – S.S. Flanders
Parachute cord isn’t only light and strong (550lb. rating) for its size (5/32” diameter), it’s also more versatile than other types of rope because it can be dissected and parted out, cut and used for its braided nylon sleeve and/or seven separate core strands.
You can get an enhanced grip and a little added padding by using paracord to wrap tool handles. It’s also used for making lanyards. I recently inserted a length of ball chain into a parachute cord sleeve to make a hands-free flashlight for late-night dog walks. The nylon is a lot more comfortable around my neck than a ball chain, and the fit is perfect. – Spencer Starr
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A cool tool can be any book, gadget, software, video, map, hardware, material, or website that is tried and true. All reviews on this site are written by readers who have actually used the tool and others like it. Items can be either old or new as long as they are wonderful. We post things we like and ignore the rest. Suggestions for tools much better than what is recommended here are always wanted.
How to Wrap Five Eggs: Japanese Design in Traditional Packaging by Hideyuki Oka (author) and Michikazu Sakai (photographer) Harper & Row 1967, 203 pages, 10 x 11.6 x 1.2 inches (hardcover)
This book is a museum of traditional packaging artifacts from Japan. Before the age of plastic, the Japanese perfected the art of packing consumables in incredibly ingenious ways. They excelled in using natural materials such as paper, straw, clay, and wood. Much of the packaging looks astonishingly modern, even though the form may be hundreds, if not thousands of years old. In fact, packages in Japan today often are wrapped in the same way. I recently received a gift from Japan that contained seven layers of boxes within boxes, wraps within wraps, each layer its own exquisite art, the packing at least equal to the cost and worth of the gift inside. There is a mesmerizing variety of packing collected during the last years of traditional Japan on display here. Each artifact is featured in stunning black and white photographs. It is a real inspiration for both designer and maker. Long out of print, this masterpiece of design was first published in 1967; used copies can be found today at rare book prices. It has also been republished in a modified paperback form, that contains some of the original content at a smaller scale. – Kevin Kelly
FROSTGRAVE – AN APPROACHABLE MINIATURES GAME IN THE SPIRIT OF OLD SCHOOL DUNGEON DELVERS
Frostgrave: Fantasy Wargames in the Frozen City by Joseph A. McCullough (author) and Dmitry Burmak (illustrator) Osprey Publishing 2015, 136 pages, 7.7 x 9.9 x 0.6 inches (hardback)
With the great success of Dungeons & Dragons 5th edition, the popularity of shows like Stranger Things riding a growing 80s nostalgia wave, and the success of game-based YouTube channels like Tabletop and Critical Role, there’s no doubt that we are in a tabletop/RPG gaming renaissance.
Two of the hallmarks of modern fantasy, sci-fi, and horror games are faster game play and more streamlined rules. The skirmish game, played with small numbers of miniatures, and the hybrid board game, combining miniatures and a game board, are all the rage these days. Into this moment of 80s D&D nostalgia and newfound enthusiasm for tabletop gaming comes a game that seems designed to hit all of the sweet spots: Osprey Publishing’s Frostgrave: Fantasy Wargames in the Frozen City.
Everything about Frostgrave is about economy. The book itself, gorgeously and profusely illustrated by Russian artist Dmitry Burmak, is compact, under 8 x 10, and only 136 pages. The backstory is simple, but highly evocative, the rules are basic and concise, trading off realism for fun. To play, you need only this inexpensive rulebook, around ten miniatures for your warband (taken from any 28mm fantasy range), and whatever terrain and random monsters you might encounter during the game. And some 20-sided dice and a tape measure. Frostgrave can be played by up to 8 players (2-4 are best).
In the world of Frostgrave, a thousand years ago, a flourishing city of magic, called Felstad, was plunged into a deep freeze after a spell massively backfired on a careless wizard. Now, a millennium later, the city has mysteriously begun to unthaw. Wizards from all over the land are flooding back, flanked by small warbands to protect them as they loot the city of its treasures and ancient magic. The Frostgrave game does an impressive job of boiling down the dungeon-delving experiences that many of us remember as D&D-playing teens. The goal of the game is to take your wizard (armed with a series of spells that you have chosen) and his/her warband into the city to try and recover as much treasure as possible. You have to locate the treasure and move it off to your table’s edge. Along the way, you fight competing wizards and random monster encounters and you overcome traps. There is no Dungeon Master in Frostgrave. The monsters are generated on a random encounter table. Even though the rulebook is modest in size, they still managed to pack in a campaign system and a number of scenarios. There’s a sweet little bestiary, too. Frostgrave gets most of it narrative/RPG elements through campaigning over multiple games. You also get to spend your acquired treasure between games so that you can hire better warband members, buy magical items, etc.
Frostgrave is not D&D. It’s a miniatures game, not an RPG. But it still manages to offer a lot of the essence of the retro fantasy RPG experience in a tabletop game that’s quick and easy to play, without a lot of upfront investment. If you’ve been thinking about getting into (or back into) tabletop gaming, Frostgrave is a perfect place to start. – Gareth Branwyn
Books That Belong On Paper first appeared on the web as Wink Books and was edited by Carla Sinclair.Sign up here to get the issues a week early in your inbox.
