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A cool tool can be any book, gadget, software, video, map, hardware, material, or website that is tried and true. All reviews on this site are written by readers who have actually used the tool and others like it. Items can be either old or new as long as they are wonderful. We post things we like and ignore the rest. Suggestions for tools much better than what is recommended here are always wanted.
Fragments of Horror is a collection of eight wonderfully grotesque and creepy short stories. A seemingly bright and pretty architecture student terrorizes a family while having a bizarre relationship with their house. A boy tries to hold his body together after cheating on his girlfriend. The number one fan of a novelist finds herself in a sick situation trapped in the writer’s basement. A young woman who just eloped can’t understand why her new husband won’t come out from under his futon covers.
Written by horror manga artist Junji Ito, whose influences include H.P. Lovecraft, the stories are as weird as they are original, while the art is crisp and expressive. What I love is the way these stories, set in modern Japan, are about seemingly normal lives that take a twisted turn into the bowels of darkness. They remind me of my favorite Twilight Zone episodes, the ones that start off in a stylish, mid-century modern house or office where sharp-looking people go about their ordinary lives… until a crack in normality suddenly appears, the creep factor sets in, and they enter the twilight zone. My only regret is that there aren’t more stories here, but fortunately Ito isn’t new to the genre and has many other titles that I’ll be picking up soon. – Carla Sinclair
WOMAN REBEL – PETER BAGGE’S GRAPHIC BIO OF THE CONTROVERSIAL FOUNDER OF PLANNED PARENTHOOD
Woman Rebel: The Margaret Sanger Story by Peter Bagge Drawn and Quarterly 2013, 104 pages, 6.8 x 9.1 x 0.7 inches (hardcover)
When I think of Peter Bagge, I think of his work in Hate or Neat Stuff, both comics about teenage angst and living in suburban malaise. Therefore, when I saw he wrote Woman Rebel, a biography of Margaret Sanger (the woman responsible for Planned Parenthood), I was curious. Once I started reading, it made perfect sense. Discontent, anger, and frustration with the status quo translate perfectly to the life of Ms. Sanger. Margaret Sanger is most famously known as the founder of Planned Parenthood and for her endless fight for women’s access to birth control in the early 20th century. The book highlights key moments in Sanger’s life – it starts with her childhood (she was born in the 1880s to Irish immigrants) and takes us through her early work as a nurse, mother, and eventual activist.
What makes this biography unique are Bagge’s illustrations. His faces, especially the contorted, frustrated ones that work in Bagge’s earlier work (say, on his teenage anti-hero Buddy Bradley) cross over really well. There is a lot of sadness and anger in Sanger’s life, whether it was her mother (who had 18 pregnancies in 25 years) or Sanger herself facing the many smug and misogynistic critics attempting to halt her progress. There is a lot of emotion in this book, the same that made Sanger persevere.
After reading Woman Rebel, I went online to learn more about Sanger and was immediately slammed by my own ignorance as to what a controversial person she is today. Aside from any expected generic criticism of Planned Parenthood, she is described as a “racist eugenicist” and guilty of “black genocide.” Bagge addresses this controversy in his afterword “Why Sanger?” He delves into how she advocated birth control to women of the KKK (that’s right - the KKK - another reason why this book is full of surprises) as well as black women living in Harlem. Bagge gives lots of examples of how her legacy has been dissected over time, and Bagge’s description of her critics is great: “It’s an irony festival!”
Regardless of how you feel about Margaret Sanger’s legacy, this book is an illustrated education into a woman, that as Bagge puts it, “lived the lives of ten people,” and is directly responsible for the access women have to reproductive health care in 2016. The only actual criticism of this book for me is that I wanted more. The book could be twice the length, and dive deeper into more details of her life, because it seems they are endless. – Amy Lackpour
