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I want to grow my subscriber base. To aid in this, I’m announcing a Holiday Giveaway Challenge. I’ll be giving away a bundle of inscribed copies of both of my tips books (Vol. 1, Vol. 2) and three of my favorite everyday tools: The Williams ratcheting screwdriver, the Canary cardboard cutter, and a plastic razor blade. To be eligible for the drawing, you need to convince three people to sign up for my newsletter (and then email me their names). If you sign up 5 (or more), you get two entries in the drawing. Contest ends Midnight, Dec. 11. Sorry, but this contest is US-only!
Force Conversion Calculators
On Digi-Key’s website, they have a set of calculators for converting between various units of physical force (newtons, gram-force, metric ton-force, and others). So, the next time you need to covert between Sthène and Poundal…
Torture-Testing Bench Vises
Bench vises are one of those common tools where people rave about the cheap ones available at Harbor Freight. I’ve always wondered how true this was. So, seeing this Project Farm video, I was anxious to know how the Freight would fare. Todd tested the following brands: Heuer, Ridgid, Yost, Wilton, Baileigh, Irwin, Forward, Central Forge, Olympia, Myoyay. Vises were tested for clamp load, durability from impact, anvil durability, and clamp load failure point. This is one of the few Project Farm videos I’ve seen where Todd pushed the tool to complete failure.
Sure enough, the $69 (at time of testing) Harbor Freight vise (Central Forge) performed amazingly well. Not surprisingly, the $500 (at time of testing) Heuer was best overall. Now that I see this testing, I’m definitely going to grab a Harbor Freight vise. When we moved to California last year, I left my two vises on the east coast and I’ve been missing having one (beyond my Dremel hobby vise).
The Basics of Photochemical Machining for Precise Parts
In this Applied Science video, Ben provides a nice and thorough introduction to photoetching small, precise metal parts, aka photochemical machining. The process is involved, not really for beginners, and this is a work-in-progress video. But, because there aren’t any vendors out there (that I’m aware of) providing this service for small-batch photochemical machining, this video is a way in if you need to consider creating such small, precision metal parts on your own.
Bringing a Rusted Cast Iron Skillet Back from the Dead
Over on Boing Boing, Mark Frauenfelder shared this video on one of the many processes (basically they’re all the same with some variation) for reviving a completely rusty cast iron skillet. Years ago, I decided to revive the 3 very rusty skillets I had in the bottom of my pots and pans cabinet. I watched several videos and followed a similar process. It was so satisfying to bring these decades-old kitchen tools back to life.
The Existential Pleasures of Restoration and Repair
Good as new!
Speaking of kitchen tools, my wife’s handheld mixer died recently. I heard it seize up as she was making something downstairs. We could’ve just bought a new one (this thing is ancient), but I really wanted to fix it, especially as she told me of its lineage. This is the first and only mixer she’s ever had. Every holiday feast was made with this mixer. She raised her kids on this mixer. Her sister gave it to her. As I like to say, tools always come with stories, and this one has great stories. I took it to my workbench, took it apart, and had a look. I quickly discover that the wormgear that transfers the motor’s spin to the beater gears was frozen. Some WD-40 and and few gentle twists with the needle nose and it was working again. Easy! The beater ejector had long ago broken, so I fixed that, too. The mixer was filled with decades of dust, batter gunk, and thickened oil. I took everything apart, cleaned it, inside and out, and put it all back together. This process was an act of love, for my wife, and also for the stories this mixer tells. And now, will continue to tell.
Noteable Quotables
“I always work at the edge of what I understand.” -Musician, artist, Brian Eno
“There is nothing worse than a brilliant beginning.” –Pablo Picasso
Shop Talk
Paul Cryan writes:
Watching the Stumpy Nubs vid on oscillating tools, I thought about getting mine out and seeing if it could solve some of my “learning issues” with 3D printing. Not only did my Dremel Multi-Max MM40 fit with a Diablo HCS flexible adhesive scraping blade do beautiful work cutting away support material from PLA prints, but I’m pretty sure it will work to get those stubborn PETG prints to release from the PEI print surfaces I’ve got on all my printers. To my surprise, at a shallow angle of attack (e.g., < ~30 degrees) the oscillating adhesive blade doesn’t seem harmful to the print surface, despite its keen front edge, and it wiggles under really stuck PETG. As pointed out in the Stumpy Nubs video, the oscillating blade can be grabbed without danger. I think it might become my new favorite way of releasing sticky 3D prints so that I don’t damage the surfaces of my printers.
***
Reader Kristian Reinhart (who was the winner of last year’s holiday tips challenge) sent a batch of new tips. Here are a few:
* The quickest non-chemical way I’ve found to clean up the surface of 3D prints (especially flats or edges on FDM prints) is using a snap-off blade and scraping over the surface. Much less hassle than sandpaper. Card scrapers, especially small ones, also work great, and depending on their shape and the shape of the print, shape do so far better than the snap-off blades, but they’re not as ubiquitously available and require maintenance.
* When lending tools or other things, I take a picture and edit it to write down the name of the recipient, then I store those pictures in a separate folder on my phone. That way, I always know exactly what I lent out to whom, and from the date of the picture, when.
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Drawing from neuroscience, evolutionary biology, and Buddhist philosophy, Arrow explores how storytelling became humanity’s defining superpower, and reveals how the stories we tell ourselves about ourselves can either liberate or imprison us.
Core Principles
We Are Story Animals
Different cognitive faculties — consciousness, emotion, episodic memory, mental simulation, language, and theory of mind — converged in human evolution to create a new ability: storytelling. This capacity became a tool for communication, a mechanism for self-regulation, and a means of social connection that shaped who we are.
The Self Is a Narrative Construct
What we call our “self” is not an objective reality but a story we continuously tell ourselves. Our identity comprises interconnected narratives: our origin story, our present identity, and our anticipated future. As Gadea writes, “Story is a tool that became its inventor. What we call our Self is a Story.”
Story as Medicine and Poison
The book’s title references a Buddhist parable about a monk struck by a poisoned arrow. Like that arrow, our storytelling ability is dual-natured — it enables powerful human connection and meaning-making, but it can also foster discontent, self-deception, and suffering when we forget our stories are just stories.
A Path Beyond Narrative Dependency
Rather than abandoning stories entirely, Gadea suggests developing a different relationship with them — constantly remembering that they are constructions rather than fixed truths. This awareness opens a pathway to being steadier, stronger, more connected, and more content.
Try It Now
Notice one story you’re telling yourself right now about your life (e.g., “I’m not successful enough” or “Things always go wrong for me”).
Write it down as if it were a plot summary for a movie about someone else.
Ask yourself: “What evidence would I need to write a completely different story about the same events?”
Practice saying to yourself: “This is a story I’m telling, not necessarily the truth.”
Notice how your emotional relationship to the situation shifts when you hold the story more lightly.
Quote
“The stories we don’t pay enough attention to are the stories we tell ourselves about ourselves. My practice isn’t about losing those stories — it’s about constantly remembering that they are just stories.”
Good as new!
