Gareth’s Tips, Tools, and Shop Tales is published by Cool Tools Lab. To receive the newsletter a week early, sign up here.
Every time a newsletter goes out, I get wonderful emails from readers telling me how much they enjoy it. At the same time, I get a spate of unsubscribes. Often, the subs go up by the same number they go down. It’s frustrating. Because of the positive emails, I know there’s an audience for what I’m doing here. Can you help me reach more of it? Can you post a link to this newsletter in your social media? Share with other maker enthusiasts? Thanks so much for your help.
Let’s Talk About Clamps
In this “Ask Adam Savage” segment on Tested, Adam is asked about shop clamps. This leads to a typically-Adam thoughtful and wise deep dive into the many uses and types of clamps: c-clamps, bar clamps, vice grips, quick-grip clamps, welding clamps, jeweler’s clamp, bench vises, lever clamps, kant twist clamps, and last but not least, spring clamps. One great tip takeaway: Don’t ever buy one clamp. Buy at least two, and if you can afford it, but 4 or more.
I subscribe to FineScale Modeler magazine, even though I’m not really a scale modeler. I was as a teen and still like looking at what people are up to in that hobby. Mainly, I look for modeling tips that I can apply to my hobby of miniature painting and tabletop game modeling. Here’s a great case in point. You can use a scribbing compass to cut circles in styrene. You just have to be patient, make multiple passes, and finish up with a hobby knife if the piece is thick or stubborn.
A Collection of Razor Rules of Thumb
A “razor” is a rule of thumb that simplifies decision making. Here’s a collection of the sharpest razors gathered by Sahil Bloom and posted on Twitter.
The Feynman Razor Complexity and jargon are used to mask a lack of deep understanding. If you can’t explain it to a 5-year-old, you don’t really understand it. If someone uses a lot of complexity and jargon to explain something, they probably don’t understand it.
The Luck Razor When choosing between two paths, choose the path that has a larger luck surface area. Your actions put you in a position where luck is more likely to strike. It’s hard to get lucky watching TV at home—it’s easy to get lucky when you’re engaging and learning.
New Column: Ask Gar
If you have questions about tools, things you might have read here in the past, resources you’re in search of, email me.
Reader Rick Griggs asks: “I need to buy headmounted lighted magnifying glasses. I don’t know what to look for, and thought you’d reviewed (or linked to a review) of these in a distant past newsletter that I could read/watch to learn more, but I can’t find anything. If you have done this, please point me to which one.”
Hey Rick,
I’m not sure it was in the newsletter. I know I talked about these in my old tips column on Make:. The one I have is shown above. It costs under $10 on Amazon! For my purposes (miniature painting), it’s great. It has two lenses that offer 1.5X magnification each and a third monocle lens at 7X magnification, providing intensities at multiples of 1.5, 3, 8.5, and 10. The light angle is adjustable in two directions and the light pack can even be removed from the headband for use elsewhere. A lot of features for under ten bones!
***
My old pal, Steven Roberts, asks about racks to hold Stanley organizing cases:
“Do you know of any quick-turn kits/products to handles stacks of Stanleys? Of course the solution is obvious, but I have so many projects that I don’t want to do it. If someone has made one, or published a good repurposing of something like a bakers rack or other off-the-shelf (heh, so to speak) tool, I’m all ears!
”If you have responses to questioned asked by readers here, let me know.
Regarding the term Minimal Viable Product (MVP). It was coined by Eric Ries in his book The Lean Startup as a way of learning what potential customers found valuable before spending a lot of time and money building something that people didn’t want to buy. Unfortunately, I think Reis did not do a very good job of naming this because it really doesn’t mean a stripped down product. In his world, it refers to anything that you can quickly learn from. Some examples could be a fake landing page which actually does nothing but gather insight about whether customers click on the link or not. I know of a company that used wire frames drawn on paper as an MVP to learn what people would pay for. Yes, it can be a stripped down version of an actual product, but in most cases, if you’re doing that before you’ve learned what people want to pay for, it’s overkill.
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A cool tool can be any book, gadget, software, video, map, hardware, material, or website that is tried and true. All reviews on this site are written by readers who have actually used the tool and others like it. Items can be either old or new as long as they are wonderful. We post things we like and ignore the rest. Suggestions for tools much better than what is recommended here are always wanted.
Manga Kamishibai tells and shows the fascinating history of Japanese paper theater, a lost storytelling form and the link between Edo-era Japanese ukiyo-e prints and modern day manga and television. I say “and shows” because this art form combined the spoken word with compelling visuals in uniquely Japanese storytelling performances and this book is rich with many wonderful reproductions of the hand-painted artwork.
Picture this: In devastated post-WWII Tokyo, a man stops his bicycle on a street corner. On the back of his bike is mounted a large, sixty-pound wooden box. The man flips a few panels around to reveal a stage-like picture frame. He noisily clacks together two wooden sticks, hiyogoshi, to call the neighborhood children. As they gather to see and hear the free show, the man sells them home-made penny candies, including a not-too-sweet taffy that’s pulled and stretched using a chopstick (like today’s movie business, the real money is in the profitable concessions!). The paying customers get a front row seat to the performance. The man slides a sequence of large, colorful panels in the frame “screen” as he tells adventure stories, quizzes the audience, and weaves tales of suspense, all with character voices and sound effects. As the story ends on a dramatic, to-be-continued cliff-hanger, the man packs up his two-wheel theater and pedals away … until next time. They are all but vanished now, but these performances date back to the 1930s when 2,500 kamishibaiya in Tokyo alone entertained 1 million kids a day.
Any fan of manga, anime, as well as comics in general will devour this book. The reproductions of the lurid images of action heroes, monsters, villains, and damsels in distress in the stories embody a potent mix of influences: Japanese ink brush work, movie posters, silent film and cinematic design, and plenty of Western references. The army of artists that painted these panels freely borrowed from many genres, from Betty Boop to folk tales. In turn, kamishibai set the stage for the manga and anime that took its place (many of the same artists moved along with them). As the advent of television made these live street performances obsolete (television was first called denki kamishibai, or “electric paper theater”), the artists lifted from popular TV shows for their dying art form. Holy copy-cat, Batman!
You’ll enjoy the witty captions, wide–ranging historical references and the clever writing style. This book also shows and tells how kamishibai was used to disseminate news, spread propaganda, illustrate war survival techniques, and fight prejudices. In a parallel to the congressional hearings and criticism by Wertham of the U.S. comic makers, kamishibai also was investigated and regulated. You’ll read (and see) other interesting facts, like the technological and historical reason why comics have always been an important media form in Japan. (Hint: what if your language doesn’t suit itself to using Gutenberg’s movable type?). Manga Kamishibai is a real treat for any fan of Japanese pop culture (candy not included). – Bob Knetzger
TWO SCI-FI TALES RUNNING SIMULTANEOUSLY LAUNCH A NEW 7-VOLUME SERIES
Nod Away by Joshua Cotter Fantagraphics 2016, 240 pages, 7.8 x 10.2 x 0.8 inches
Sometimes the most abstruse and esoteric dilemmas are best considered in the abstract, as if by not directly looking at things somehow makes them more clear. Zen masters speak in koans, Nietzsche wrote in aphorisms, and poets immerse themselves in metaphors, all of them trying to communicate things in a manner that steps outside of the constraints of language. So it is with Joshua W. Cotter’s new book from Fantagraphics Books, Nod Away.
Nod Away is the first of what Cotter promises to be a seven-volume series. Ostensibly this first volume is a sci-fi story that circles around issues such as the human desire for exploration and connection, the power structure inherent in gender politics, and the gray area created in the intersection between science and morality, but, as the book unfolds, the reader feels there is something more complicated occurring in the periphery. Cotter is exploring profound questions of consciousness itself by creating a story that asks them indirectly.
Densely detailed and tightly packed, Cotter’s pages pull and push the classic nine-panel grid layout, opening up or staying regimented as the emotional beat demands. His layouts control the reader’s experience explicitly and play with expectations in order to keep things just off balance enough to force engagement and demand active reading. Just when things start to coalesce, though, Cotter blows them apart.
Two stories run simultaneously in Nod Away. The first, tight and traditionally told in the sci-fi/horror genre, posits strong statements and allows for gradual character reveals. It is in the secondary tale, though, one of a damaged man traversing a desolate environment, that Cotter enlarges his art and permeates it with surrealistic and totemic imagery that presses the reader to observe and to pause and to ponder.
Nod Away stands at the verge of a much longer journey, reassuringly beckoning the reader to follow and promising something incredible to be discovered at its end. – Daniel Elkin
Books That Belong On Paper first appeared on the web as Wink Books and was edited by Carla Sinclair.Sign up here to get the issues a week early in your inbox.
