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Lineage and the Nobility of a Trade
My dad passed away on June 14th at the age of 90. He was a civil engineer and a building contractor. He was an engineer in the Air Force during the Korean War, building runways. His father, my granddad, was a talented jack-of-all-trades and a clever, whimsical inventor (he made himself a pair of convertible pants and a shirt several decades before the concept was patented). They both instilled in me, from the earliest age, the do-it-yourself ethos. When I was 5, I almost electrocuted myself when I tried to take the kitchen toaster apart with my Handy Andy tool set to find out how it worked – while it was still plugged in!
Here’s something I wrote in my first Tips book (which was dedicated to dad and granddad) about watching my dad seemingly effortlessly build things when I was a kid:
One of my early memories was being with my dad while he worked. I remember riding in a Gradall Excavator with him when I was a wee one. I thought my dad was basically the coolest guy on Earth because he could confidently pilot such an impressive, intimidating machine. As a pre-teen, I remember watching him swing a hammer while he was adding some rooms to the basement of our home (which he’d also built) and realizing how regular and perfect he was with his swing. It usually took him the same number of strikes each time to drive and countersink a nail – one swing to set the nail, one to drive it most of the way in, and a final whack to counter-sink it. I don’t remember exactly how old I was, but it was probably the first time that I instinctively understood the nobility (and the efficiency) of perfecting a trade. If you do something enough, you get impressively good at it.
Tools are an extension of our bodies, our intentions. Like specialized “end effectors” on a robot, they instantly give us special abilities; superpowers. Combine the right tools, the right materials, and the proper know-how, and human beings create worlds. Tools are the physical interface between our dreams, our imagination, and their real-world realization. But our tools are not only powerful extensions of ourselves, they also contain stories (see above).
My dad (and my granddad) taught me about both the power of tools and the power of storytelling. Little did they, or I, know when I was growing up that my job would end up combining these two powers.
Knurled Knob Generator
Who doesn’t love a handsome and grippy knurled knob? This OpenSCAD script on Thingiverse allows you to generate knurled knobs of various sizes that slide over bolt heads. The script requires the OpenSCAD compiler to generate the 3D models.
Using Syringes to Clean Out 3DP Resin Vats
Back in January, I wrote about Daniel Herrero‘s “hack” of using a peristaltic pump to clean out his resin vat for his 3D printer. And then, based on comments to his post, he got a better idea: using large syringes to suck out the remaining resin. He experimented and determined that a 150ml syringe works best. Once again, YouTube comments to the rescue. He complains in the video about the hard plastic syringe head scratching his FEP film at the bottom of his vat. Commenters suggested adding a short bit of rubber tubing to the tip of the syringe. He also mentions the resin scraper that comes with printers scratching his FEP and viewers remind him that a silicone plastic spatula (I got mine from the dollar store) won’t scratch the film.
Do Different Formulations of Motor Oil from the Same Brand Really Behave Differently?
Todd at Project Farmwanted to know if different formulations of oil from the same brand (Penzoil) perform differently, and is the high-end oil all that different from the cheapest one? The formulations tested were Pennzoil Synthetic Blend, Full Synthetic, Platinum, and Ultra Platinum. He sent the oils out to a lab for analysis and also tested them for evaporative loss, lubricity or film strength, and cold oil flow both new oil and after exposure to heat. Additionally, in a final test, Pennzoil Ultra Platinum was exposed to 10% gasoline and another sample to antifreeze to test the impact it had on lubricity and oil performance. Bottom line? This looks like a “you get what you pay for” result. The most expensive of the lot, Ultra Platinum ($28 on Amazon at time of test, $14.22 currently), definitely performed the best. That’s actually lower in price than the cheapest one at time of testing (Synthetic Blend, at $17). And, if you buy 6 quarts on Amazon, the Ultra Platinum blend is only $8.60/qt.
Fantastic Free Class for Learning Arduino
Via the always-informative Maker Update comes word of this really wonderful series of beginner educational videos on the hardware, development environment, and code used for the ubiquitous Arduino microcontroller. If you’re interested in getting into Arduino, there is no better gateway.
TOYS! Liquid Chrome Markers
I recently saw Adam Savage use these chrome markers in a video where he was weathering a prop that he’d built (the motion tracker from Aliens). I immediately bought a set and man do I love them. If you have a need to faux chrome anything…
FrogPod is Now on Kickstarter
I’ve been a big fan of Thomas Baisch‘s Instagram page, InfiniteCraftsman, for a while now. He posts one innovative shop solution after another, most of them 3D printed. One of his most brilliant creations is the FrogPod, a flexible, magnetized three-legged camera mount that you can slap onto metal surfaces. He recently launched a Kickstarter to raise an army of FrogPod users.
Maker’s Muse
Figurengruppe Theater Schwäbisch-Hall, Germany, Karl Henning-Seemann. H/t Vickie Jo Sowell.
Shop Talk
In response to my piece on witness marks, my ol’ pal Steve Roberts sent me a photo of these fascinating marks inside of his Waltham pocket watch.
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Cool tools really work.
A cool tool can be any book, gadget, software, video, map, hardware, material, or website that is tried and true. All reviews on this site are written by readers who have actually used the tool and others like it. Items can be either old or new as long as they are wonderful. We post things we like and ignore the rest. Suggestions for tools much better than what is recommended here are always wanted.
The mid-1960s were an exciting time for art, music, youth culture, society, and politics, all of which were transforming at dizzying speed. The left wing underground press of the time reflected these mind-boggling changes in their design, content, and distribution methods. Underground newspapers from around the world joined the Underground Press Syndicate, sharing articles and illustrations free of copyright restrictions.
These papers gleefully taunted the establishment by promoting recreational drugs, recreational sex, black power, gay rights, women’s liberation, anti-authoritarianism, and anti-war activism. The covers of the papers were bold, experimental, and subversive. When I was designing bOING bOING (the late 1980s/early 1990s zine) I was inspired by the precious few samples of The East Village Other, The Realist, and The Gothic Blimp Works that I could find in used bookstores. I wish I’d had a copy of Free Press back then! Almost every page of this book has a full-color photo of a cover or interior page from dozens of well-known and obscure newspapers from the era. Though much of the design is amateurish and ugly, there are examples of brilliance, too, making this a worthy reference for designers.
– Mark Frauenfelder
BUILDING STORIES – CHRIS WARE’S MAGNUM OPUS INCLUDES 14 LAVISHLY PRESENTED STORIES IN DIFFERENT FORMATS, ALL IN ONE BOX
Building Stories by Chris Ware Pantheon 2012, 260 pages, 11.7 x 16.6 x 1.9 inches (hardcover, softcovers, boxed)
Chris Ware is renowned as the kind of comic artist who makes you expect more from the genre. For nearly three decades, his unfussy, formalized style has given birth to cult strips such as Rusty Brown and Quimby The MouseM. Despite his style being modeled after the simplicity of Tintin in order to express emotion in as universal a way as possible, his style is a vehicle for the minutiae of human struggle. Building Stories is no different.
Largely comprised of strips previously published in national newspapers, but also featuring unreleased material, Building Stories is Ware’s magnum opus – 14 lavishly presented stories in one beautifully designed box, itself adorned with extra strips and illustrations. The separation of the stories into physically distinct objects is intended to allow the reader to acquaint themselves with the characters in any order they choose.
Revolving around the lives of the inhabitants of an apartment block in Chicago, his pet themes of social alienation, excessive rumination and the pervasive feeling of being railroaded by mundanity are all present and correct. A number of archetypes populate the building – the lonely old lady, the bickering couple, the single young woman, but Ware imbues each with its own identity.
Arguably the most prominent character is the young woman who has a prosthetic leg, observed at various unassuming yet pivotal moments in her life, whether she’s summer house sitting, lying awake at night thinking of her newborn child, or trying to overcome her anxiety in a writing class. It is tough not to feel empathy for her directionless existence, constant anxieties over wasted potential and the recursive spikes of past trauma. A soap opera in the best sense, there is more than a touch of Charles M. Schulz about Ware’s existentially preoccupied, neurotic characters.
Ware also experiments with layout to sometimes dizzying effect. The effusive nature of Branford the Best Bee in the World is matched by spiraling circular panels, whereas our aforementioned heroine wearily lives out her life inside row after row of regulation size square panels.
The presentation of the strips in wildly differing formats makes this a true collector’s package – pamphlets, news sheets, hardback book, comic on a fold-up “game board,” and more. If you happen to be looking for the graphic novel’s answer to Ulysses, then look no further. If not, buy it anyway. You’ll believe a comic can do amazing things. – Nick Parton
Figurengruppe Theater Schwäbisch-Hall, Germany, Karl Henning-Seemann. H/t Vickie Jo Sowell.
