In this TronicsFix video, Steve buys 7 broken NES game cartridges, priced from $5 – $30, to see how hard it is to fix them. Most of the repairs come down to cleaning the “golden finger” contacts on the edge of the circuit boards and Steve finds that a combo of pink eraser, IPA on a Q-tip, and a metal polishing cloth does the trick. One game had badly corroded pins on a chip and was therefore DOA, another had a short in one of the chips (same), a few required jumping wires to repair broken copper traces. But, in the end, only a couple of the games were beyond basic repairs.
Awesome Woodworking Tips from Lloyd Khan
When I was a teen, I was obsessed with the Whole Earth Catalogs and completely enamored with the work of often-featured designer-builders like Jay Baldwin, Greg Baer, Malcolm Wells, and Lloyd Khan. Khan was responsible for the very WEC-like outsized Shelter publications, featuring crazy, cool, and arty owner-built dwellings. Lloyd is still around, still doing his thing. His Instagram is worth a follow. This particular post is loaded with a number of high-quality construction tips.
Getting to Know the 555 Timer Chip
In this DroneBot Workshop they provide a clear and concise 42-minute introduction to the ubiquitous and versatile 555 timer chip. They discuss how the 555 works, its various modes, and some of the basic projects you can use it in.
A Chemist Explains How Super Glue Works
Brent, of the excellent game crafting and miniature painting channel, Goobertown Hobbies, also has a Ph.D. in chemistry. In this video on his channel, he explains the chemistry behind cyanoacrylate (aka Super Glue) and how the glue actually works.
Electroplating 3D Prints
Via Donald Bell’sMaker Update comes a recommendation for this article on Makezine about how to create faux chrome finishes on 3D prints. The process involves lots of sanding and smoothing of the print, a spray with a copper conductive paint, then an electroplating bath. The results are pretty spectacular.
Testing and Ranking Heavy-Duty Staplers
In this Project Farm video, Todd tests out 14 different brands of heavy-duty staplers. He looks at units from Makita, Milwaukee, Ryobi, Arrow, DeWalt, WorkPro, Bauer, Neu Master, Ework, Bielmeier, Stanley, and Citadel. The staplers were compared for resistance to jams, stapling speed, capability to drive staples into spruce, oak, and composite decking. Bottom line? The Ryobi performed very well and offers the best value, at $84 (at time of testing). The stapler that tested best overall was the Makita, at a whopping $210 at time of testing.
Shop Talk
Newsletter reader Paul Cryan asks:“How do you know if a tip you’ve come across is original enough to report?”Good question, Paul. A lot of it comes down to experience and intuition. I’ve been writing in the DIY space for over 30 years, so I have some sense of the saturation of tips and techniques that are shared. But ultimately, I don’t sweat “originality” as much as I do practicality. If it’s a great tip, even if it’s been around for a while, even a very long while, it’s worth sharing with those for whom it’s new and as a reminder to those who may already know it. I see tips all the time that serve as a reminder for me to finally break down and try it out (or bring it back into my work flow).
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I got a lot of responses to my “Shop Talk” post about areas of DIY where you say “Hell, no, get me a pro.” Everyone seemed to be on the same page. Reader Craig best summarized the responses I received:“My dad did almost no home or auto repairs. Not because he didn’t know how, but because he freakin’ hated doing them. Mom, however, might have been able to build a house with a pocketknife and a pair of vise grips. She just had skills…lots of them.”I have done a wide spectrum of things but as I’ve gotten older, I triage everything:If I want to try something, I do.If I don’t want to, I don’t.If it absolutely must be done and I don’t want to do it, I hire it out.No guilt, just a depleted treasury.”
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For several decades now, art critics and casual admirers alike have talked about Dale Chihuly’s art in terms of its forms. Indeed, the artist himself organizes his work largely by their physical shapes, as does his latest self-published coffee-table book, Chihuly on Fire, whose chapter titles range from “Baskets” and “Sea Forms” to “Jerusalem Cylinders” and “Rotolo.” But thumbing the pages of this sumptuous, hardcover volume, and reading the biographical essay by art-history professor Henry Adams, one is struck by the importance of color to Chihuly’s work.
The shift to color began in 1981, when Chihuly and his team of gaffers and assistants produced the first of what would become known as the Macchia series. These often enormous vessels, whose sides were usually folded and deformed, featured solid-color interiors, lip wraps in contrasting hues, and thousands of “jimmies” of pure crushed colored glass, usually set against a background of white glass “clouds.”
Even in his early days, Chihuly’s ambitions for his chosen medium seemed larger than the modest network of glass-art galleries around the country would have the wherewithal to support. By the time his Macchia pieces came along, the so-called craft arts, of which glass art was but one, were allowed to be exuberant and even a bit zany, but they were ultimately expected to exhibit good table manners, to sit uncomplainingly at the kid’s table of the art world. Gloriously and unapologetically garish, Chihuly’s Macchia pieces were a grinning, joyful, and emphatic “fuck you” to all of that. With the Macchia, Chihuly finally shook off the cobwebs of craft, not so much because the pieces pushed the boundaries of technique to ludicrous places – although they certainly did that – but because they pushed what was possible, and politic, with color.
Today, technique remains central to Chihuly’s work, while his teams of artisans have become ever-more adept, as the 2013 photo in Chihuly on Fire of two assistants in helmeted, fireproof space suits preparing to catch a still-glowing piece dramatically shows. To be clear, it’s okay to be impressed by that sort of thing, to get sucked into the spectacle that is Chihuly. After all, lots of artists have made careers of astounding viewers with physical spectacle, as anyone who has walked within the rusty, leaning walls of a curving Richard Serra can attest. In a way, though, Chihuly takes the greater aesthetic risk by being brash enough to demand that his creations are also, well, beautiful. For that, color rather than form has been his most capable collaborator. – Ben Marks
CURSED PIRATE GIRL – A PAGE-TURNER FOR ITS SWASHBUCKLING STORYLINE AND IMAGINATIVE ILLOS
Cursed Pirate Girl by Jeremy Bastian Archaia 2016, 144 pages, 6.6 x 10.2 x 0.6 inches (softcover)
Cursed Pirate Girl, released in paperback this year, journeys in search of her missing father through the dangerous waters of the Omerta Seas in this ornate black-&-white graphic novel. An archetypical adventure tale with an odd cast of characters, Cursed Pirate Girl killed a sea witch’s five sons, who then placed an eternal curse upon her. On her journey, Cursed Pirate Girl encounters Apollonia, Apollonia’s haughty caregiver Mr. Six, a royal child with ringlets who suffers from hero-worship, pistol-packing Kildenny, Pepper Dice the talking parrot, Jacob the one-armed cook, sharks, talking skeletons, schools of sardines, armored swordfish, and many, many pirates of all shapes and sizes. She sword-fights, gets kidnapped, becomes locked below deck in a crowded pirate ship, rides an enormous fish, and walks a plank.
Featuring intricate line drawings created with a Yasutomo Grip 500 mechanical pencil and Escoda Series 1212 size 00 sable brush on Bristol paper, each panel bursts to overflowing with entwined octopus tentacles, delicate seaweed, crashing waves of sea spray, smoky cannon fire, grimacing skeletons clad in pirate garb, and churning clouds of winged sea creatures.
My only squabble with Cursed Pirate Girl would be that the print is fairly small, and details in smaller panels are excessively minute, but it’s nothing that a handy magnifier wouldn’t fix. Cursed Pirate Girl is a beautifully illustrated, thrilling adventure tale. It’s a page-turner for its engaging swashbuckling storyline as much as the imaginative illustrations. Marvel at the details. – S. Deathrage
Books That Belong On Paper first appeared on the web as Wink Books and was edited by Carla Sinclair.Sign up here to get the issues a week early in your inbox.
