Carrying Cambodia / The Blind Photographer
Books That Belong On Paper Issue No. 40
Books That Belong On Paper first appeared on the web as Wink Books and was edited by Carla Sinclair. Sign up here to get the issues a week early in your inbox.
INCREDIBLE PHOTOGRAPH COLLECTION OF OVERLOADED VEHICLES IN CAMBODIA









Carrying Cambodia
by Hans Kemp, Conor Wall
Visionary World
2010, 144 pages, 8 x 0.8 x 8 inches, Flexibound
Paging through this collection of overloaded vehicles and ingenious transportation solutions from everyday life in Cambodia makes me happy. The “can do” spirit is contagious. While poverty drives a lot of this ingenuity, there are plenty of innovations that would apply to our abundant world if we’d open our minds.
– Kevin Kelly
A REVELATORY BOOK OF PHOTOGRAPHS TAKEN BY VISUALLY IMPAIRED PEOPLE









The Blind Photographer
by Julian Rothenstein (Editor), Candia McWilliam (Introduction)
Princeton Architectural Press
2016, 213 pages, 9.0 x 1.0 x 12.0 inches, Hardcover
The Blind Photographer is surprising and fascinating. These photos taken by visually impaired photographers, accompanied by a bit of text explaining the photographers’ working processes and inspirations, forced me to rethink the nature of photography:
- Is it a strictly visual medium, or should sound, feel, and taste also be represented somehow? (The book’s images of fruit, musicians, and skin show how photography can be more multi-sensory.)
- Why do photos conventionally have to be symmetrical and in focus? (Fuzzy and off-center photos can evoke a mood just as well as sharp ones.)
- Are shadows just as interesting as objects? (Photographer Alberto Loranca writes, “I can distinguish light and shadow and I pay a great deal of attention to light in order to take pictures; I calculate the amount of light needed using trigonometry.”)
These ideas might be obvious to art historians and photographers themselves, but to a lay person there’s a lot to gain from The Blind Photographer’s implication that everything is worthy of being photographed, no matter how mundane or odd. I may just be photographing a person’s feet, rather than gravitating toward their face, in the future.
– Christine Ro
11/12/24